Young Americans (Single Version) [2002 Remaster] · David Bowie
Best of Bowie
℗ 2002 Jones/Tintoretto Entertainment Company LLC under exclusive licence to Parlophone Records Ltd, a Warner Music Group Company
Producer: Tony Visconti
Drums: Andy Newmark
Backing Vocals: Ava Cherry
Guitar: Carlos Alomar
Guitar, Vocals: David Bowie
Saxophone: David Sanborn
Congas: Larry Washington
Backing Vocals: Luther Vandross
Piano: Mike Garson
Backing Vocals: Robin Clark
Mixer: Tony Visconti
Bass: Willie Weeks
Writer: David Bowie
℗ 2016 The copyright in this sound recording is owned by Pink Floyd Music Ltd., marketed and distributed by Sony Music Entertainment
Released on: 1979-11-30
Lyricist, Steel Guitar, Bass Guitar, Acoustic Guitar, Guitar, Synthesizer, Vocal, Composer, Producer: David Gilmour
Associated Performer: Pink Floyd
Lyricist, Vocal, Bass Guitar, Composer, Producer: Roger Waters
Drums: Nick Mason
Organ: Richard Wright
Guitar: Lee Ritenour
Orchestra: The New York Philharmonic
Performance Arranger, Conductor: Michael Kamen
Performance Arranger, Producer: Bob Ezrin
Mastering Engineer, Co- Producer, Engineer: James Guthrie
Engineer: Nick Griffiths
Engineer: Patrice Quef
Engineer: Brian Christian
Engineer: Rick Hart
Engineer: John McClure
Mastering Engineer: Joel Plante
Project Coordinator: Phil Taylor
https://www.youtube.com/watch/uChLD7iJhoM Simple Twist of Fate (Live at Nippon Budokan Hall, Tokyo, Japan – February/March 1978)
Provided to YouTube by Columbia/Legacy
Simple Twist of Fate (Live at Nippon Budokan Hall, Tokyo, Japan – February/March 1978) · Bob Dylan
Bob Dylan At Budokan
℗ 1978 Columbia Records, a division of Sony Music Entertainment
Released on: 1979-04-23
Bass, Vocal: Rob Stoner
Acoustic Guitar, Vocal: Steven Soles
Vocal: Helena Springs
Vocal: Jo Ann Harris
Vocal: Debi Dye
Guitar: Billy Cross
Dobro, Guitar, Mandolin, Violin: David Mansfield
Percussion: Bobbye Hall
Drums: Ian Wallace
Keyboards: Alan Pasqua
Flute, Recorder, Saxophone: Steve Douglas
Producer: Don DeVito
Engineer: Tom Suzuki
Engineer: Teppei Kasai
Engineer: Tetsuro Tomita
Engineer: G.H. Sukegawa
Associated Performer, Producer: Elizabeth Fraser
Associated Performer, Programmer, Producer: Robin Guthrie
Associated Performer, Producer: Simon Raymonde
Engineer: Lincoln Fong
Studio Musician: Ben Blakeman
Studio Musician: Mitsuo Tate
Music Publisher: Universal Music Publishing Ltd.
Music Publisher: Harry Fox Agency
Composer Lyricist: Elizabeth Fraser
Composer: Robin Guthrie
Composer: Simon Raymonde
https://www.youtube.com/watch/Tu3ypuKq8WE Dwight Yoakam – A Thousand Miles From Nowhere (Official Video)
Dwight Yoakam – A Thousand Miles From Nowhere from his album _This Time_ released on Reprise in June 1993.
Lyrics
I’m a thousand miles from nowhere
Time don’t matter to me
‘Cause I’m a thousand miles from nowhere
And there’s no place I want to be
I got heartaches in my pocket
I got echoes in my head
And all that I keep hearing
Are the cruel, cruel things that you said
I’m a thousand miles from nowhere
Time don’t matter to me
‘Cause I’m a thousand miles from nowhere
And there’s no place I want to be
Oh, I
Oh, I
Oh, I
Oh, I
Oh, I
Oh, I
I’ve got bruises on my memory
I’ve got tear stains on my hands
And in the mirror there’s a vision
Of what used to be a man
I’m a thousand miles from nowhere
Time don’t matter to me
‘Cause I’m a thousand miles from nowhere
And there’s no place I want to be
I’m a thousand miles from nowhere
Time don’t matter to me
‘Cause I’m a thousand miles from nowhere
And there’s no place I want to be
https://www.youtube.com/watch/sEWkdO7OoHk Tim Heidecker’s Infowars Takeover, Alex Jones Parody & Satirizing MAGA | The Big Interview
WIRED Global Editorial Director Katie Drummond speaks with Tim Heidecker about The Onion’s bid to seize creative control of Infowars, which was founded by right-wing host Alex Jones. Katie and Tim also talk holding Trump and MAGA accountable via comedic relief and the evolution of Infowars.
00:00 – The Alex Jones parody
03:01 – Tim Heidecker’s brand of comedy
06:44 – MAGA’s comedic accountability
12:52 – The Onion, Alex Jones & Infowars
20:39 – Infowars’ next step? Adult Swim
25:21 – The true state of comedy today
34:09 – Ctrl+Alt+Delete with Tim Heidecker
via YouTube https://www.youtube.com/watch?v=sEWkdO7OoHk ORIGIN
https://www.youtube.com/watch/c0dkclXMs5s Why Medieval People (Probably) Had Autism
Unlock your own epic ancestral story! Get your MyHeritage DNA kit for just $19, plus a 30-day free trial and FREE shipping! https://bit.ly/MedievalMind Use code: Mind19. How did medieval society treat individuals who didn’t fit the standard social script? In this historical and sociological video essay, we examine accounts of neurodivergence, routine-driven monastic environments, and unique cognitive traits in the Middle Ages through an academic lens. While the clinical term “autism” wasn’t coined until 1911, individuals displaying traits we now associate with the autism spectrum—from intense hyperfixations to severe sensory sensitivities—profoundly shaped the spiritual, cultural, and structural landscape of medieval Europe.
From the hyper-literal interpretations of Brother Juniper to the astonishing linguistic and visual systems created by Hildegard von Bingen, we challenge modern chronological snobbery. We also explore how medieval communities, like the 13th-century town of Geel, engineered organic systems of community care and radical acceptance that rival modern industrial models.
TIMESTAMPS
0:00 – The Medieval Mind & History of Neurodivergence
0:54 – Brother Juniper: The Literal “Fool for Christ”
5:06 – Nicholas the Pilgrim: Echolalia & Tragic Realities
7:28 – Hildegard von Bingen: The Hyper-Systematizing Polymath
11:30 – St. Bernard of Clairvaux: Sensory Overload & Monastic Minimalism
13:51 – The Town of Geel: The 1200s Gold Standard of Community Care
16:38 – Chronological Snobbery: Did the Middle Ages Do It Better?
WORKS CITED
Evans, Bonnie. “How autism became autism.” History of the Human Sciences, vol. 26, 2013, pp. 3-31. https://bit.ly/45fBsKw.
Feldman, Jacqueline Maus. “History of Community Psychiatry.” Handbook of Community Psychiatry, 2012, pp. 11-18. https://bit.ly/45fBt12.
Hsy, Jonathan, Tory V. Pearman, and Joshua R. Eyler, editors. A Cultural History of Disability in the Middle Ages. Bloomsbury Academic, 2020.
McMinn, Mark R., and Barrett W. McRay. “Spiritual Disciplines and the Practice of Integration: Possibilities and Challenges for Christian Psychologists.” Journal of Psychology and Theology, vol. 25, 1997, pp. 102-110. https://bit.ly/45kkMS7.
Moskowitz, A., and G. Heim. “Eugen Bleuler’s Dementia Praecox or the Group of Schizophrenias (1911): A Centenary Appreciation and Reconsideration.” Schizophrenia Bulletin, vol. 37, 2011, pp. 471-479. https://bit.ly/3TBXPY6.
https://www.youtube.com/watch/Wui5-x8HinQ Just Like a Woman (Live at Nippon Budokan Hall, Tokyo, Japan – February/March 1978)
Provided to YouTube by Columbia/Legacy
Just Like a Woman (Live at Nippon Budokan Hall, Tokyo, Japan – February/March 1978) · Bob Dylan
Bob Dylan At Budokan
℗ 1978 Columbia Records, a division of Sony Music Entertainment
Released on: 1979-04-23
Bass, Vocal: Rob Stoner
Acoustic Guitar, Vocal: Steven Soles
Vocal: Helena Springs
Vocal: Jo Ann Harris
Vocal: Debi Dye
Guitar: Billy Cross
Dobro, Guitar, Mandolin, Violin: David Mansfield
Percussion: Bobbye Hall
Drums: Ian Wallace
Keyboards: Alan Pasqua
Flute, Recorder, Saxophone: Steve Douglas
Producer: Don DeVito
Engineer: Tom Suzuki
Engineer: Teppei Kasai
Engineer: Tetsuro Tomita
Engineer: G.H. Sukegawa