October 10, 2010 |
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In 1972, John Lennon had a problem.
He and his wife, Yoko Ono, had been living in New York for a year, and they wanted to stay. But it happened also to be the year President Nixon was running for reelection. Opposition to the Vietnam War had reached a peak, and Lennon and Ono often showed up at antiwar rallies to sing “Give Peace a Chance” — and to tell their fans that the best way to give peace a chance was to vote against Nixon.
The Nixon White House responded by ordering Lennon deported.
The administration said Lennon had been admitted to the country improperly. He had pleaded guilty to a misdemeanor charge of cannabis possession in London in 1968, and immigration law at the time banned the admission of anyone convicted of any drug offense.
But unlike most migrants who have problems with their legal status, Lennon and Ono had powerful friends who petitioned the Immigration and Naturalization Service on their behalf.
In honor of what would have been Lennon’s 70th birthday this month, I pulled a box from my garage containing documents I obtained through a Freedom of Information Act request about Lennon’s deportation case. The government’s response included copies of hundreds of letters sent to the INS, and they revealed the different and fascinating ways artists, writers and others tried to make the case that Lennon, a rock musician and an antiwar activist, should not be kicked out of the country.
The letters were not a spontaneous expression of enthusiasm. Rather, they were part of an organized campaign of the country’s cultural elite to stop the Nixon administration from deporting the ex-Beatle. Joan Baez wrote a letter; Beat poet Gregory Corso wrote one. So did novelists John Updike and Joyce Carol Oates, painter Jasper Johns and composer John Cage, Leonard Bernstein of “West Side Story” and Joseph Heller of “Catch-22.”
Bob Dylan‘s offering, written sometime in 1972, was in his own bold hand. “John and Yoko inspire and transcend and stimulate,” he wrote, and thereby “help put an end to this mild dull taste of petty commercialism which is being passed off as artist art by the overpowering mass media.” Then he added, “Let John and Yoko stay!”
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via alternet.org
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Ads for the DVD show Jones’ eyes above the words, “Death camps Are Real.”
Jones’ Obama Deception film claims that “Obama is continuing the process of transforming America into something that resembles Nazi Germany, with forced National Service, domestic civilian spies, warrantless wiretaps, the destruction of the Second Amendment, FEMA camps and Martial Law.”
An April 17, 1999, Austin American-Statesman article (retrieved from Nexis) reported that, even then, Jones believed that FEMA was “building hundreds of concentration camps on military bases with separate areas for men, women and women with children.”
BP oil spill a deliberate act. Jones has pushed the theory that the BP oil spill was a deliberate attack. Jones co-wrote a June 8 article headlined, “Evidence Points To BP Oil Spill False Flag.” A false flag event is an operation carried out by a powerful entity to deceive the public into thinking it was carried out by someone else. False flag examples cited by conspiracy theorists include the Oklahoma City bombing, and 9-11 attacks. From Jones’ article on Infowars.com:
– Sales of shares and stocks in days and weeks beforehand
– Halliburton link, acquisition of cleanup company days before explosion
– BP report cites undocumented tampering with well sealing equipment
– Government uses disaster to push for Carbon Tax, Nationalization talk
Troubling evidence surrounding the Deepwater Horizon explosion on April 20th suggests that the incident could have been manufactured.
Jones has discussed “evidence” that the spill was a false flag event on his radio program. A program posted on Jones’ YouTube channel on June 20 states that Jones “reveals why he is now sure it’s a 100% false flag event to usher in the global carbon tax talked about at the G-20 summit.”
Additionally, Jones has pushed numerous other conspiracy theories about weather control, mass sterilization, the Oklahoma City bombing and the Space Shuttle Columbia disaster, among others.
via mediamatters.orgJones was pretty good in A Scanner Darkly. That was a work of fiction. He is not so good at nonfiction, unfortunately for all of us American citizens and citizens of the world that want to reduce pollution, normalize immigration, and promote global cooperation and unity . . . .
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Exactly the same technology can be used for good and for evil. It is as if there were a God who said to us, “I set before you two ways: You can use your technology to destroy yourselves or to carry you to the planets and the stars. It’s up to you.”
http://en.wikiquote.org/wiki/Carl_Sagan
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Discovered Rich Iott Wears A Nazi Uniform via Talking Points Memo
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Glenn Beck’s view of American history stems from the paranoid politics of the fifties.
via newyorker.comA few months ago, the cable-television and radio host Glenn Beck began his Fox News show with one of his favorite props: a pipe clenched between his teeth. “I’ve got my pipe,” he told his audience, his speech slightly muddled by the stem, “because we’re going to speak about schoolish kind of things.” The theme of the day was “Restoring History,” and Beck, looking professorial in a neat dark blazer and a pink button-down shirt, began the lesson by peering at a stack of history textbooks and pronouncing them full of falsehoods, produced by “malicious progressive intent.” Progressives, he explained—liberals, socialists, Communists, the entire spectrum of the left—“knew they had to separate us from our history to be able to separate us from our Constitution and God.” For the next hour, Beck earnestly explained some of the history that “is being stolen from us”: the depression of 1920, for example, or how conservative economics saved the nation from the “near-depression” of 1946—crises that progressives don’t want you to know about. “You’ve been taught one lie, I think, your whole life,” he said.
Read more http://www.newyorker.com/reporting/2010/10/18/101018fa_fact_wilentz
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6-6 Carl Sagan’s Cosmos – One Voice In The Cosmic Fague – Part 6
Cosmos: A Personal Voyage is a thirteen-part television series written by Carl Sagan, Ann Druyan, and Steven Soter, with Sagan as presenter. It was executive-produced by Adrian Malone, produced by David Kennard, Geoffrey Haines-Stiles and Gregory Andorfer, and directed by the producers and David Oyster, Richard Wells, Tom Weidlinger, and others.
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5-6 – Carl Sagan’s Cosmos – One Voice in the Cosmic Fugue 1980
Cosmos: A Personal Voyage is a thirteen-part television series written by Carl Sagan, Ann Druyan, and Steven Soter, with Sagan as presenter. It was executive-produced by Adrian Malone, produced by David Kennard, Geoffrey Haines-Stiles and Gregory Andorfer, and directed by the producers and David Oyster, Richard Wells, Tom Weidlinger, and others.
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4-6 – Carl Sagan’s Cosmos – One Voice in the Cosmic Fugue 1980
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3-6 – Carl Sagan’s Cosmos – One Voice in the Cosmic Fugue 1980
Cosmos: A Personal Voyage is a thirteen-part television series written by Carl Sagan, Ann Druyan, and Steven Soter, with
Sagan as presenter. It was executive-produced by Adrian Malone, produced by David Kennard, Geoffrey Haines-Stiles and
Gregory Andorfer, and directed by the producers and David Oyster, Richard Wells, Tom Weidlinger, and others.
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2-6 – Carl Sagan’s Cosmos – One Voice in the Cosmic Fugue 1980
Cosmos: A Personal Voyage is a thirteen-part television series written by Carl Sagan, Ann Druyan, and Steven Soter, with
Sagan as presenter. It was executive-produced by Adrian Malone, produced by David Kennard, Geoffrey Haines-Stiles and
Gregory Andorfer, and directed by the producers and David Oyster, Richard Wells, Tom Weidlinger, and others.
Vodpod videos no longer available.1st collector for 2-6 – Carl Sagan’s Cosmos – One Voice in the C…
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1-6 – Carl Sagan’s Cosmos – One Voice in the Cosmic Fugue 1980
Cosmos: A Personal Voyage is a thirteen-part television series written by Carl Sagan, Ann Druyan, and Steven Soter, with Sagan as presenter. It was executive-produced by Adrian Malone, produced by David Kennard, Geoffrey Haines-Stiles and Gregory Andorfer, and directed by the producers and David Oyster, Richard Wells, Tom Weidlinger, and others.
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6-6 Carl Sagan’s Cosmos – The Shores of the Cosmic Ocean
Cosmos: A Personal Voyage is a thirteen-part television series written by Carl Sagan, Ann Druyan, and Steven Soter, with Sagan as presenter. It was executive-produced by Adrian Malone, produced by David Kennard, Geoffrey Haines-Stiles and Gregory Andorfer, and directed by the producers and David Oyster, Richard Wells, Tom Weidlinger, and others.
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5-6 Carl Sagan’s Cosmos – The Shores of the Cosmic Ocean
Cosmos: A Personal Voyage is a thirteen-part television series written by Carl Sagan, Ann Druyan, and Steven Soter, with Sagan as presenter. It was executive-produced by Adrian Malone, produced by David Kennard, Geoffrey Haines-Stiles and Gregory Andorfer, and directed by the producers and David Oyster, Richard Wells, Tom Weidlinger, and others.
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