Oh well uh, you might think I’m crazy To hang around with you Or maybe you think I’m lucky To have somethin’ to do
But I think that you’re wild Inside me is some child
You might think I’m foolish Or maybe it’s untrue (You might think) You might think I’m crazy (All I want) All I want is you
You might think it’s hysterical But I know when you’re weak You think you’re in the movies And everything’s so deep
But I think that you’re wild When you flash that fragile smile
You might think it’s foolish What you put me through (You might think) You might think I’m crazy (All I want) All I want is you
And it was hard, so hard to take (So hard to take) There’s no escape (There’s no escape) Without a scrape (Without a scrape) But you kept it going, till the sun fell down You kept it, going
Oh well uh, you might think I’m delirious The way I run you down But somewhere, sometimes When you’re curious I’ll be back around
Oh, I think that you’re wild And so uniquely styled
You might think it’s foolish This chancy rendezvous (You might think I’m crazy) You might think I’m crazy (All I want is you) All I want is you, ah-oo All I want is you (All I want is you) All I want is you
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She’s taken a swipe at fun She gives me a reason The sight in my sights Well I know tonight she comes
Oh she channels me up She does it with ease And sometimes she passes through me Just like a breeze
She gives me a reason For feeling alright, oh well (Know tonight) (I know tonight) I know tonight (Know tonight) (I know tonight) I know tonight (Know tonight) (I know tonight) she comes
I know she’s gonna do it to me One more time (one more time) I know she’s gonna stay implanted In my mind
Why does she keep me hanging (On the line) on the line? Yeah
I know she’s gonna do it to me One more time (one more time) I know she’s gonna stay implanted In my mind
Oh, why does she keep me hangin’ (On the line) On the line? Oh yeah
I know the way that she feels And all of the hearts that she steals She tells me it’s easy When you do it right, oh well I know tonight she comes
She tells me it’s easy When you do it right (Know tonight) (I know tonight) I know tonight (Know tonight) (I know tonight) I know tonight (Know tonight) (I know tonight) she comes
I know tonight (I know tonight) Oh yeah (I know tonight) Well I know tonight (Know tonight) (I know tonight) Tonight she comes
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Roxy Music were an English rock band formed in 1970 by Bryan Ferry, who became the band’s lead vocalist and chief songwriter, and bassist Graham Simpson. Alongside Ferry, the other longtime members were Phil Manzanera (guitar), Andy Mackay (saxophone and oboe) and Paul Thompson (drums and percussion), and other former members include Brian Eno (synthesizer and “treatments”), Eddie Jobson (synthesiser and violin), and John Gustafson (bass). Although the band took a break from group activities in 1976 and again in 1983, they reunited for a concert tour in 2001, and toured together intermittently between that time and their break-up in 2011. Ferry frequently enlisted members of Roxy Music as session musicians for his solo releases.
Roxy Music became a successful act in Europe and Australia during the 1970s. This success began with their debut album, Roxy Music (1972).The band pioneered more musically sophisticated elements of glam rock while significantly influencing early English punk music, and provided a model for many new wave acts while innovating elements of electronic composition. The group also distinguished their visual and musical sophistication through a preoccupation with glamorous fashions. Ferry and co-founding member Eno had had influential solo careers. The latter became one of Britain’s most significant record producers of the late 20th century. Rolling Stone ranked Roxy Music No. 98 on its “The Immortals – 100 The Greatest Artists of All Time” list, though it dropped the group from its updated list in 2011.
The band’s final studio album was Avalon (1982), which became platinum-certified in the United States. In 2005 they began recording a new studio album, which would have been their ninth, and would have been their first record since 1973 with Brian Eno, who wrote two songs for it and also played keyboards. However, Bryan Ferry eventually confirmed that material from these sessions would be released as a Ferry solo album, with Eno playing on “a couple of tracks”, and that he doesn’t think they’ll ever record as Roxy Music again. The album ultimately became Ferry’s 2010 album Olympia. Roxy Music played a series of 40th anniversary shows in 2011, but has since become inactive as a performing entity.
The Siren tour commenced on October 2nd 1975 and ran through Europe and the US until late March 1976. Andy MacKay: “(In the States) we played mainly theatres which suited us. In the U.K. we were playing arenas, but the audience were great in both”.
Roxy’s Siren album was released on October 31st, 1975, therefore on many of the early shows of the tour, including all the UK dates, the audience had not heard the new material. Despite that, Roxy played most of the new album, even starting the set with new songs Sentimental Fool and Love is the Drug.
In the Sounds review of the Glasgow show, 18th October, John Inghan wrote: “Ferry looking like an AWOL GI”. On the Siren tour Ferry had introduced a new aesthetic. He wore a khaki military style uniform throughout, apparently inspired by Elvis Presley’s uniform in the movie, “GI Blues”. Looking at shots of Presley in the movie, it seems almost certain that is so. Even down to the detail of the military emblem on the left shoulder of Presley’s uniform – in the same place on Ferry’s uniform, there’s an emblem, ‘tho of course it says, “Roxy Music”. Also new on the Siren tour was the addition of uniformed backing singers – the John Ingham review again: “…singers Doreen Chanter and Maggie Sullivan showed real class with powder blue WRAF uniforms”. In Barbara Drillsma’s Melody Maker review of the Liverpool show, she also mentioned “The Sirens”: “Roxy were helped along by two attractive young ladies Lorraine and Doreen – dressed in tight-fitting airforce outfits”.
In a review in the Melody Maker of the Liverpool show, 3rd October, Barbara Drillsma described new song, Both Ends Burning as ”a real classic rocker”. The version of Both Ends Burning from Viva! certainly lives up to that epithet. Andy MacKay: Toward the end of recording (of Siren) we were compromised as we had been on Stranded and other albums by Bryan not having finished lyrics so that tracks got overworked as instrumentals while we were working as it were in the dark. ‘Both Ends Burning’ is a case in point. It has always been better live…”
Comparing the soundboard from the second night at Wembley, October 18th, to the version on Roxy’s live album, Viva!, it’s obviously the same recording. Some alterations have been made to the Viva! version – it’s about 30 seconds shorter, having had some of the repeated “Keep on Burning ‘till the end” lines edited out. And there’s been considerable overdubbing of Andy MacKay’s saxophone, which although it is almost inaudible on the soundboard, is clearly different playing. Richard Adams writes about Viva! and the Wembley show on his blog: “Phil Manzanera… assembled the songs and added some judicious instrumental overdubs – bits of Andy’s sax playing here and there when mics hadn’t picked everything up, some of his own guitar playing, tidying up wayward notes. Not much was needed as Roxy live was a well honed machine”.
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