Tag: Photos

• Separation of the clouds and the clear sky [OC](3840 x 2160) via /r/SkyPorn http://ift.tt/1Kb1KPi

  2015-08-21

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• photo by @randyolson | words by @neilshea13 — The El Molo, who live closest to the water, say the east wind, Parkan, is the worst. In its season, which is nearly every season, this wind bangs down day and night across Lake Turkana, bludgeoning the water and scattering the fish and sometimes drowning the fishers. But men are brave, men are foolish, and above all men are hungry, so even against this wind they contend, pushing out in sailboats or aboard rafts made of palm logs which drive clumsy as sleds through the waves. Soon, though, Parkan and its sister-winds—Karit, Kayeur and Yukan—may be tamed, or at least made useful. East of this barren spit, a wind farm is being built in the bush. It’s an ambitious project, and one day it may be Africa’s largest, with more than 300 massive white turbines generating millions of dollars worth of electricity. The government, in the south, has marked off land for its construction. Workers will be bussed in, from the south, to build it. And massive cables must be laid to deliver Parkan’s energy southward, where it can be sold. One morning I sat in a small house in a small, powerless village talking with El Molo elders about the project. Will it bring us jobs? asked one. “Probably not,” I said. Will it bring us electricity? asked a second. “No,” I said. Will it stop Parkan? asked a third, and everyone laughed. Let them do what they want with the wind, he continued. But we should be paid, because it is ours. “Can you own wind?” I asked. The old man frowned. Why not? he said. The government owns everything else. All we have left is the sky. These Instagram pieces are part of our ongoing project, #NGwatershedstories, and they’re linked to our feature article on Kenya’s Lake Turkana in the August issue of @natgeo magazine. For the last six years, we’ve been documenting culture, change, and conflict in the ecosystem that connects southern Ethiopia and northern Kenya, and we hope you’ll join us @randyolson and @neilshea13 as we follow water down the desert. #2014 #africa #kenya #laketurkana #jadesea #loiyangalani #elmolo #wind #windpower #cleanenergy #economicjustice #documentary #everydayafrica #everydayeverywhere @thephotosociety by natgeo http://ift.tt/1ITFpn2

  2015-08-21

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• Midnight at the Grand Canyon, Arizona [OC] [2048×1356] via /r/EarthPorn http://ift.tt/1JwDyIr

  2015-08-21

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• Photo by @stefanounterthiner | A lonely guanaco in Torres del Paine NP, Chile. During early autumn, guanacos gathering ahead of the annual moving down to lower elevations where food will be more easily accessible during the winter months. @natgeo #Chile #wildlife #autumn #food by natgeo http://ift.tt/1PtaP6b

  2015-08-21

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• Photo by @chien_chi_chang / @magnumphotos Aug 15, 2015. Chinese fishing boats anchor at a Qingdao fishing village port. The three-month-long fishing off season of the Bohai Sea, the Yellow Sea and the East China Sea started on June 1 and will end in two weeks. #Qingdao #fishing #Chineseflag #fishingboat #ontheroad #jetlag by natgeo http://ift.tt/1Ms29wT

  2015-08-21

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• Sprites from Space [4928X3280] via /r/spaceporn http://ift.tt/1WJVxib

  2015-08-21

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• Photo by @stephenwilkes: Calm water and blue skies today on #BlockIsland #RhodeIsland #redcanoe #relax #beach #serenity #summer by natgeo http://ift.tt/1DXL0K9

  2015-08-21

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• The Matterhorn at Dawn [OC] [6016×4016] via /r/EarthPorn http://ift.tt/1UY4NxA

  2015-08-21

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• Meow_irl via /r/MEOW_IRL http://ift.tt/1Jp3NOZ

  2015-08-21

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• Chimney Beach, Lake Tahoe[OC][3000×3133] via /r/EarthPorn http://ift.tt/1Lpu0iJ

  2015-08-21

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  via Tumblr http://ift.tt/1h1Rf58

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• “Bricks are the primary unit of construction across Pakistan. They are cheaper than concrete so almost everything is made with brick– especially in rural areas. There are 20,000 brick kilns across the country. We estimate that an average of 40 families work on each of these kilns and that each family is required to make 1000 bricks per day. That means 4.5 million people are living in slavery conditions. And so many of these workers are young children. Often they work all day and are denied education. They work in isolated areas, shielded from the eyes of society and hidden from the protection of the constitution. The laws don’t reach the kilns, so the workers live in constant fear of violence and retribution. The kiln owners are so rich and powerful. Their profits represent nearly 3% of Pakistan’s GDP. They put their friends and relatives in the legislature. They bribe and intimidate the police. It is very dangerous to speak out against them. I’ve been attacked and threatened so many times that I no longer fear death.” (2 of 7) (Lahore, Pakistan) ————- This is the second post in a series on Syeda Ghulam Fatima. Known to her admirers as Pakistan’s Harriet Tubman, Fatima has worked tirelessly to eradicate bonded labor—one of the last remaining forms of modern slavery. She has been electrocuted, shot, and repeatedly beaten for her activism. Despite her outsized impact, she operates on a very small budget. So we are raising money for the organization that Fatima leads: the Bonded Labour Liberation Front. US Dollars can be leveraged for so much impact in Pakistan. Your donation will go very far. So please, let’s help empower Fatima in her fight to end slavery: Link in bio by humansofny http://ift.tt/1Nz37WJ

  2015-08-21

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• When she takes pictures, Jayelle Hudson (@jayellehudson) is focused on her control over an image, but in her abstract drawings she lets go. “I closed my eyes and decided to scribble,” explains the 31-year-old artist, photographer and entrepreneur. “I love the endless possibilities.” Having grown up in Washington state, Jayelle moved to São Paulo, Brazil, seven years ago. “I felt very much like an alien,” she recalls of her first months settling in and adapting to Brazilian language and culture. “Saudade,” the Brazilian word for missing something, is what Jayelle feels for her home in the Pacific Northwest. “It’s apparent in a lot of my collage work through choice of color, earth-toned moldy old paper and deep dark blues. In my photography, I find myself looking for moments that make me feel home, like foggy forests and cloudy beach days.” Photo by @jayellehudson by instagram http://ift.tt/1gNBzCu

  2015-08-21

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• When she takes pictures, Jayelle Hudson (@jayellehudson) is focused on her control over an image, but in her abstract drawings she lets go. “I closed my eyes and decided to scribble,” explains the 31-year-old artist, photographer and entrepreneur. “I love the endless possibilities.” Having grown up in Washington state, Jayelle moved to São Paulo, Brazil, seven years ago. “I felt very much like an alien,” she recalls of her first months settling in and adapting to Brazilian language and culture. “Saudade,” the Brazilian word for missing something, is what Jayelle feels for her home in the Pacific Northwest. “It’s apparent in a lot of my collage work through choice of color, earth-toned moldy old paper and deep dark blues. In my photography, I find myself looking for moments that make me feel home, like foggy forests and cloudy beach days.” Photo by @jayellehudson by instagram http://ift.tt/1gNBzCu

  2015-08-21

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• MRW I make eye contact with a girl I was staring at via /r/reactiongifs http://ift.tt/1hwDWKU

  2015-08-21

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