https://www.youtube.com/watch/nbsjA45r28A Putin voices anger as Ukraine prepares new wave of deep strikes in Russia after cutting off Crimea
Philip Ingram discusses key events and stories in the war in Ukraine.
You have been watching Frontline, with Kate Gerbeau, Philip Ingram and Louis Sykes, produced by Times Radio.
Nick Cave & The Bad Seeds are no ordinary group of musicians. Across four decades and 17 studio albums they have established themselves as one of the most exciting, influential and progressive bands on the planet. Albums including The Boatman’s Call (1997), No More Shall We Part (2001), Push the Sky Away (2013) and their most recent Ghosteen (2019) have firmly cemented Cave’s position as one of the most acclaimed and sophisticated songwriters of his generation. Over the years, the Bad Seeds have harboured some of alternative music’s most celebrated and idiosyncratic musicians including Mick Harvey, Blixa Bargeld, Kid Congo Powers, Barry Adamson and the late, great Conway Savage. The current line-up of the group features the vital presence of shamanic multi-instrumentalist Warren Ellis alongside Martyn Casey (bass), Thomas Wydler (drums), Jim Sclavunos (percussion) and George Vjestica (guitar). A band apart, right from the very beginning, the Bad Seeds have always sounded like nobody else on earth.
℗ 2015 Mute Artists Limited. under exclusive license to Just Music
℗ 2015 Young God Records
℗ 2015 Young God Records under exclusive license to Mute Artists Ltd.
Released on: 2015-12-04
Mixer: Brian Martin & Alex Armitage at Powerplay Studios
Producer: Michael Gira
Composer: Michael Gira
Lyricist: Michael Gira
Music Publisher: Young God Publishing (ASCAP)
https://www.youtube.com/watch/Z3DaEKIrBBA Bill Maher says America’s 250th is still worth celebrating | GZERO World with Ian Bremmer
As America turns 250, Bill Maher reflects on patriotism, polarization, and why the country is still worth celebrating.
America turns 250 at a moment of extraordinary political division. Trust in institutions is low, debates over patriotism have become increasingly partisan, and many Americans struggle to agree on even the country’s basic story. In this episode of GZERO World, Ian Bremmer sits down with comedian and political commentator Bill Maher to discuss what America should celebrate—and what it should learn from—as it reaches this historic milestone.
Maher argues that patriotism shouldn’t belong to one political party and that Americans can acknowledge the country’s failures without losing sight of its achievements. The conversation also explores the future of the Democratic Party, the rise of political polarization, whether ideological purity is costing Democrats elections, and why Maher believes engaging with people you disagree with is essential to a healthy democracy.
The discussion also turns to Donald Trump’s second term and the resilience of America’s constitutional system. While Maher remains critical of Trump’s conduct, he argues that Congress, the courts, and even members of Trump’s own party have demonstrated that the country’s checks and balances continue to matter. Throughout the interview, one theme keeps resurfacing: America has always been imperfect, but its strength lies in its ability to debate, adapt, and keep moving forward.
GZERO Media, a Eurasia Group company, is a multimedia publisher providing news, insights, and commentary on the events shaping our world. Our properties include GZERO World with Ian Bremmer, our weekly show on US public television; our newsletters GZERO Daily, GZERO AI, GZERO North, and GZERO Daily with Ian Bremmer; our parody series Puppet Regime; our digital video series including Ian Bremmer’s Quick Take every week; and the GZERO World Podcast. Our content is free and available at https://bit.ly/4fd0tst.
https://www.youtube.com/watch/z6XELXZbrV0 Why The Beatles Stopped Touring
Before fame, The Beatles were one of the tightest live bands in the world, holding crowds in Hamburg and Liverpool for hours each night. But when the screams drowned out the music, the joy started to fade.
John Lennon said the band found new life in the studio, where they could finally hear themselves again and make music that truly expressed who they were.
#JohnLennon #TheBeatles
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via YouTube https://www.youtube.com/watch?v=z6XELXZbrV0 ORIGIN
https://www.youtube.com/watch/6IGx1wKfGz4 NYPD helicopter pilot reacts to couple who climbed Empire State building
Air traffic control audio captured a moment between an NYPD helicopter pilot and a LaGuardia air traffic controller regarding today’s incident at the Empire State Building, in which two people climbed to the top of the building.
via YouTube https://www.youtube.com/watch?v=6IGx1wKfGz4 ORIGIN
https://www.youtube.com/watch/o86-eEYyyGQ Putin Is Desperately Trying To Cling Onto His Political Power | Scott Lucas
“Once Crimea falls, you cannot hide from the Russian people.”
Putin is desperately trying to cling onto his political power as Russians are feeling the pain of oil shortages in Crimea, says Professor Scott Lucas.
You have been watching Frontline, with Kate Gerbeau, Philip Ingram and Louis Sykes, produced by Times Radio.
This Is Not America (The theme from ‘The Falcon And The Snowman’) (2018 Remaster) · David Bowie · Pat Metheny Group
Loving the Alien (1983 – 1988)
℗ 1985, 2018 Jones/Tintoretto Entertainment Company LLC under exclusive license to Parlophone Records Ltd, a Warner Music Group Company
Mixer: Bob Clearmountain
Producer: David Bowie
Vocals: David Bowie
Piano, Synthesizer: Lyle Mays
Acoustic Guitar: Pat Metheny
Electric Guitar: Pat Metheny
Guitar: Pat Metheny
Producer: Pat Metheny
Drums, Percussion: Paul Wertico
Remastering Engineer: Ray Staff
Acoustic Bass: Steve Rodby
Bass: Steve Rodby
Writer: David Bowie
Writer: Lyle Mays
Writer: Pat Metheny
My My, Hey Hey (Out Of The Blue)
Thrasher (3:50)
Ride My Llama (9:35)
Pocahontas (12:07)
Sail Away (15:33)
Powderfinger (19:29)
Welfare Mothers (25:03)
Sedan Delivery (28:56)
Hey Hey, My My (Into The Black) (33:37)
“Too often, irony is the last cheap refuge for those clever assholes who confuse hooks with heart, who can’t find the center of anything because their edges are so fashionably fucked up, who are just too cool to care or commiserate. Neil Young doesn’t have these problems.” (Paul Nelson, 1979, Rust Never Sleeps/RollingStones).
Paul Nelson (January 21, 1936 — circa July 5, 2006)
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AU-320
ifi Zen Phono 3
Presonus Studio 24C